This charcoal or chalk brush is more flexible and fungible than some of the more recent brushes in that it is has a very soft fingerprint at low pressure. With a single stroke you get very light coverage which makes shading easy as you can easily control the amount of colour and by building it up with multiple stokes it’s possible to create areas of light colour blend into very dark sections without visible brush strokes. This maintains a sharp texture like you would have with chalk or charcoal on heavy textured paper without the smudginess that you would get using a stump or tortillion in traditional media.
[twocol_one] [/twocol_one] [twocol_one_last]‘Peel Braiser’ Charcoal Brush.A hard charcoal with a light coverage that makes it ideal for shading with a crisp texture. With repeated strokes this brush can give you full dark coverage with lots of opportunity for graduated blending.[button link=”https://www.grutbrushes.com/cart/?add-to-cart=31998″]Add to Cart – $1[/button][/twocol_one_last]Category: Examples of Photoshop Brush Usage
Watercolour painting with the ‘Ocean Liner’ brush
Digital painting with the ‘Ocean Liner’ digital artists Photoshop watercolor brush
Sometimes I get too excited by the latest brushes and neglect the older ones, so to try to break that habit I’m going back into the brush box and doing some paintings with older brushes. Here’s a painting I did today with one of my favourite watercolour brushes, Ocean Liner. The video is sped up so that it lasts about a minute but the actual painting took about 12 minutes. [twocol_one] [/twocol_one] [twocol_one_last]A fine watercolour brush with a wide ranging opacity that makes a good sketch brush as well as a detailer for finer work. With a controlled stroke, from firm to light, the Ocean Liner brush will give a nicely graduated line from fairly dark yet soft to the faintest hint of a sketch in one go. The cottony texture gives it a warm organic feel.$1.00Add to cart
[/twocol_one_last]“Rasp Anther” New Photoshop Oil Painting Brush
Digital painting with ‘Rasp Anther’ another realistic, responsive, Photoshop Brush for digital artists.
For a change of pace I’ve added a new oil paint brush to the shop, nice and thick, it is transparent at low pressure and has a rough edge so it can be blended nicely with quick frequent brush stokes. When blending remember that a quick fast stroke will show a fair bit of the image below through it. There are probably enough oil brushes that I can put together a pack for a discount, similar to the watercolour brushes pack. I’ll get on that soon! [twocol_one] [/twocol_one] [twocol_one_last]A medium sized oil brush with just enough texture to add character but not too much to stand in the way of a relatively solidly filling line. Versatile enough to go from sketch to finely nuanced painting.$1.00Add to cart
[/twocol_one_last]A Peek into the workshop – New Brushes are on the way
Preview of New Pastel Brush – coming soon
Here’s a sneak peek at the latest Photoshop Brush I’m working it’s a pastel brush (or crayon if we’re being honest) it’s called Wax Factor, and I’m already in love with it. It’s very fast, has a nice full texture when you draw with light strokes but with a bit more pressure easily fills in and gives rich full colour coverage. I will probably give away a hundred of these for free the day I publish it so stay tuned.
Update: It’s now available and FREE for this weekend (Until November 11th 2014) Download this brush here.
One interesting feature of this brush is that when you press hard it has a rough texture, but with very light pressure it becomes a blending brush and you can use it to smudge and soften your strokes or blend them together without switching tools.
Using Multiple Watercolour Brushes
Sometimes one brush will do for the whole painting but other pieces call for multiple brushes. The colour in this painting was done using the bolder Paste Up and Grape Remains for the hair and for the subtler more even tone of the background I used the Moth Wing brush. For shading I used the Ocean Liner brush with a reduced opacity so that I could go over and build up darker areas slowly and also for the clothing I used Lofty Tinge which has more texture. To get some more texture and drama into the background I added some of the more saturated orangey bits using the Paste Up brush again, this time with a much larger brush size, about double what I used on the hair.